Image Credits

Juan Bautista de Toledo and Juan de Herrera, San Lorenzo de El Escorial, 1563-1584, near Madrid, Spain (Photograph © Allan T. Kohl/Art Images for College Teaching)​​

John Haberle, A Bachelor's Drawer (detail), 1890-1894, Metropolitan Museum of Art, New York (Photograph provided by The Metropolitan Museum of Art, New York, www.metmuseum.org)​

​​Left to right:

Gian Lorenzo Bernini and Pietro Bernini, Bacchanal: A Faun Teased by Children (detail), ca. 1616-1617, Metropolitan Museum of Art, New York (Photograph provided by The Metropolitan Museum of Art, New York, www.metmuseum.org)

Johannes Vermeer, A Lady Writing (detail), ca. 1665, National Gallery of Art, Washington, DC (Photograph courtesy National Gallery of Art, Washington)

Nicolas Poussin, Abduction of the Sabine Women (detail), probably 1633-1634, Metropolitan Museum of Art, New York (Photograph provided by The Metropolitan Museum of Art, New York, www.metmuseum.org)

Top row, left to right:

Roman, Pont du Gard, late 1st century BCE, near Nîmes, France (Photograph © Allan T. Kohl/Art Images for College Teaching)

Edouard Manet, The Railway (detail), 1873, National Gallery of Art, Washington, DC (Photograph courtesy National Gallery of Art, Washington)

Egyptian (Mamluk), Mosque Lamp, ca. 1360, Freer Gallery of Art, Washington, DC (Photograph courtesy of Freer Gallery of Art and Arthur M. Sackler Gallery, Smithsonian Institution)

Juan Gris, Fantômas (detail), 1915, National Gallery of Art, Washington, DC (Photograph courtesy National Gallery of Art, Washington)

Rembrandt van Rijn, Three Trees (detail), 1643, Yale University Art Gallery, New Haven, Connecticut (Photograph provided by the Yale University Art Gallery)

Bottom row, left to right:

Carolingian, Evangelist Matthew (detail), from the Freising Gospels, second half of the 9th century, Walters Art Museum, Baltimore, Maryland (Photograph provided by The Walters Art Museum, Baltimore)

Edmonia Lewis, Bust of Dr. Dio Lewis, 1868, Walters Art Museum, Baltimore, Maryland (Photograph provided by The Walters Art Museum, Baltimore)

Peruvian (Cuzco), Virgin of Bélen (detail), ca. 1700-1720, Los Angeles County Museum of Art, Los Angeles, California (Photograph provided by the Los Angeles County Museum of Art, www.lacma.org)

Gabonese (Kota), Reliquary Figure (Mbulu-Ngulu), 19th century, Yale University Art Gallery, New Haven, Connecticut (Photograph provided by the Yale University Art Gallery)

Gilbert Stuart, Catherine Brass Yates (Mrs. Richard Yates) (detail), 1793-1794, National Gallery of Art, Washington, DC (Photograph courtesy National Gallery of Art, Washington)

Santiago Calatrava Valls, Quadracci Pavilion, Milwaukee Art Museum, 1994-2001, Milwaukee, Wisconsin (Photograph by Derek D. Churchill)​​

Left to right:

Paul Gauguin, Self-Portrait (detail), 1889, National Gallery of Art, Washington, DC (Photograph courtesy National Gallery of Art, Washington)

Gabonese (Kota), Reliquary Figure (Mbulu-Ngulu), 19th century, Yale University Art Gallery, New Haven, Connecticut (Photograph provided by the Yale University Art Gallery)

Rembrandt, Self-Portrait in a Cap, Open-Mouthed (detail), 1630, National Gallery of Art, Washington, DC (Photograph courtesy National Gallery of Art, Washington)

Herzog & de Meuron, National Stadium ("The Bird's Nest"), 2004-2008, Beijing, China (Photograph by Lawrence Nees)

Dorothea Lange, Migrant Mother (detail), 1936, photograph, Library of Congress, Washington, DC (Photograph courtesy of the Library of Congress, Prints and Photographs Division, Farm Security Administration/Office of War Information Black-and-White Negatives, LC-DIG-fsa-8b29516)