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Robert Seldon Duncanson, Still Life with Fruit and Nuts, 1848, National Gallery of Art, Washington. (Photograph courtesy National Gallery of Art, Washington)
Every year a committee, comprised of graduate students and one faculty member, organizes a yearlong series of lectures by prominent scholars, curators and visual artists on various topics in art history.
Locations or Zoom Information To Be Announced
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Contact Info for Lecture: email@example.com
Tina Campt is Owen F. Walker Professor of Humanities and Modern Culture
and Media at Brown University and is currently visiting professor in
the Department of Art and Archeology at Princeton University.
feminist theorist of visual culture and contemporary art and a founding
researcher in Black European Studies, Campt heads the Black Visualities
Initiative at the Cogut Institute for Humanities at Brown and is the
convener of the Practicing Refusal Collective and the Sojourner Project.
Campt is author/editor of five books: Other Germans: Black Germans and
the Politics of Race, Gender and Memory in the Third Reich (2004), Image
Matters: Archive, Photography, and the African Diaspora in Europe
(2012), Listening to Images (2017), Imagining Everyday Life: Engagements
with Vernacular Photography (with Hirsch, Hochberg and Willis, 2020)
and most recently, A Black Gaze (2021).
Graduate Student Research PresentationsModerated by Sandy IsenstadtProfessor & Department Chair, Department of Art HistoryUniversity of Delaware
Shana KleinAssistant Professor, Department of Art HistoryKent University
From Melons to Milk: What Representations of Food Tell Us About Race and Society
Shana Klein is a professor at Kent State University and holds a
Ph.D. in Art History from the University of New Mexico. She recently
published the book, “The Fruits of Empire: Art, Food, and the Politics
of Race in the Age of American Expansion” with the University of
California Press. This book demonstrates how pictures of food were not
mere decoration, but a platform for artists and viewers to discuss
heated debates over race and citizenship. In 2021, it won the SECAC
Award for Excellence in Scholarly Research and Publication. Klein also
has been awarded several fellowships for her research at the Smithsonian
American Art Museum, Georgia O’Keeffe Museum, among others.
Dr. Klein has presented her research in a number of peer-review journals and podcasts and she teaches classes that bring together American art, visual culture, and social justice. Brief description:Representations of food in the United States were delicious to look at and mouthwatering to paint. Although they were cheery and colorful, representations of fruit also communicated darker messages and cruel stereotypes about the people who produced and consumed food in the United States. This book talk will bring together Art History and Food Studies disciplines to reveal how pictures of foods—from watermelon to milk—struck the nerve of the nation’s most heated debates over labor, race, and citizenship.
Please email arth-gsls.udel.edu for more information.
Locations and Zoom information to be announced. Per University of Delaware Policy, all visitors to campus must adhere to University COVID protocols.
For all virtual lectures, an email with registration information will be sent to department faculty and students for the appropriate Zoom link. Members of the public may contact firstname.lastname@example.org to register. For more information and locations, please contact the Department of Art History by phone, (302) 831-8415, or email, email@example.com. To request disability accommodations, please call (302) 831-8415 at least 10 business days in advance of the event.
Funding for the 2021-2022 lecture series is generously provided by Center for Material Culture Studies, University Museums, Department of Art Conservation, English Department, Center for Global & Area Studies, Anthropology Department, European Studies, History Department, Winterthur Program in American Material Culture, and Latin American & Iberian Studies. Special thanks to Carol A. Nigro (Ph.D. 2009) and Charles Isaacs for their sponsorship of the William I. Homer Lecture and to Mr. William C. Allen for his sponsorship of the Wayne Craven Lecture.
This lecture series is organized by the 2021-2022 graduate student lecture series committee: María Carrillo-Marquina and Thomas H. Price (co-chairs), Michael Hartman, Julia Hamer-Light, Lea Stephenson, Victoria Sunnergren, Megan Baker, Emily Peikin and Rachel Allen. The faculty advisor for the lecture series is Dr. Jennifer Van Horn.
All events are part of the Department of Art History, University of Delaware.
Denva GallantAssistant Professor of Art History
University of Delaware
Illustrating the Vitae patrum: The Rise of the Eremitic Ideal in Fourteenth-Century Italy
WAYNE CRAVEN LECTUREKirsten Pai Buick
Professor, Department of Art and Art HistoryUniversity of New Mexico
In Authenticity: 'Kara Walker' and the Eidetics of Racism
Encouraged Readings: “Confessions of an Unintended Reader” in The Routledge Companion to African American Art History and “Seeing the Survey Anew" in American Art, fall 2020
ANDREW W. MELLON CURATORIAL TRACK PH.D. LECTUREJill Ahlberg Yohe & Teri GreevesAssociate Curator of Native American Art; Co-Curator and ArtistMinneapolis Institute of Art
To Honor and Respect: Recognizing Native Women in Hearts of Our People
Cécile FromontAssociate Professor, Department of the History of ArtYale University
Carlos Julião: Painting the Portuguese Empire in the Late Eighteenth Century
In this talk, Dr. Cécile Fromont considers the paintings through which Carlos Julião, an Italian-born officer of the Portuguese military, formed a portrait of the late 18th century Portuguese colonial empire. Taking a cue from the juxtaposition of topographical views, plans, and people in the images, Fromont examines Julião’s visual project through the lens of mapping as understood in its literal dictionary definition of a two dimensional “visual representation that shows the relative position of the parts of something.” In Julião’s visual geography, the physical and social space of Empire is measured not by kilometric distance but by political, societal, and commercial relations.
Email firstname.lastname@example.org for more information.
2017-2018 (Transcending Temporalities: Explorations in Art History)
2016-2017 (Labor, Movement, Experience: New Directions in Art History)
2015-2016 (Histories of Form, Content, and Creation)
2014-2015 (Art History's Objects: The Cultural and Material Life of Things)
2013-2014 (People, Things, Ideas: Assembly Required)
2012-2013 (Field Directions: Art and History Today)
2011-2012 (Picturing Identity: Explorations across Time)
2010-2011 (Trajectories in Art History: Ancient to Contemporary)
2009-2010 (Fusions in Art: Methods, Criticism, and Culture)
2008-2009 (Making, Displaying, and Collecting Art)
2007-2008 (Art. History. Talk.)
2006-2007 (Liminal Visions, Elusive Objects)