A noted authority on 19th century
American art, and a pioneer scholar in the field, Dr. Craven published
numerous books and articles during his long career and received many
professional honors.
At UD, he held the Henry Francis du Pont Winterthur Chair in Art
History, received Excellence in Teaching awards and the Francis Alison
Faculty Award, the University's highest faculty honor, and in 2008 was
awarded an Honorary Doctor of Humane Letters degree. He served as
coordinator of UD's Winterthur Program in Early American Culture (now
the Winterthur Program in American Material Culture) and as chair of the
Delaware State Arts Council.
"While I never had the pleasure of meeting Wayne in person, I
frequently heard faculty and alumni speak about him," John A. Pelesko,
dean of the College of Arts and Sciences, said. "It's clear that his
impact on his colleagues and students--and on the University's prominence
in art history--was deep and meaningful. He will surely be missed."
Dr. Craven was an editor and consultant to a variety of journals and institutions, ranging from American Art Journal to
the National Portrait Gallery and the Boston Museum of Fine Arts. In
1995, he was elected to the prestigious College of Fellows of the
Philadelphia Athenaeum.
His extensive publications include two books that have been described as bibles in their fields. His 1968 book Sculpture in America,
which grew out of an exhibition he curated at the Whitney Museum of
American Art in New York, is considered the most thorough survey of
American sculpture to date and is used extensively as a textbook. His American Art: History and Culture is
a classroom standard and has been acclaimed by scholars and general
readers for the imaginative breadth of its approach and the clarity of
its text.
"Wayne Craven had an immeasurable impact on the field of American art
history and material culture," said Wendy Bellion, the Sewell C. Biggs
Chair in American Art History and co-director of the Center for Material
Culture Studies. "A founding figure of the field, he was an adviser to
generations of UD graduate students, many of whom went on to become
leading scholars and curators."
In addition to those he advised personally at UD, Bellion said, "Whether he knew it or not, Wayne was indirectly mentoring a whole new
generation of scholars" through his many books.
Dr. Craven joined the UD faculty in 1960 when, as he often recalled
in speaking about his career, the number of art historians on campus was
so small that they could hold a faculty meeting if they happened to
pass each other in the hallway. At the time, art history was part of the
Department of Art.
In 1966, Dr. Craven and the late William Innes Homer launched Art
History as its own department, complete with a doctoral program, and
helped lead it on its path to national prominence for its faculty
scholarship and the achievements of its alumni. When it was founded, the
new department had a limited number of faculty members and resources,
but it benefited from an important founding gift from Amy E. du Pont and
the full support of the University administration, Dr. Craven recalled
in a talk he gave at the Department of Art History's 50th anniversary
celebration in 2016.