Artist as Reporter: Weegee, Ad Reinhardt, and the PM News Picture (Berkeley: University of California Press), 2018.
“Ad Reinhardt Assembles a News Picture,” in Nanni Baltzer and Martino Stierli, eds., The Montage Reader (Zurich: Park, 2016), forthcoming.
“How to Look at News Pictures in America,” American Art (Summer 2016), forthcoming.
“Sketch Reporting after Press Photography,” in Andrés Mario Zervigón and Sabine Kriebel, eds., Photography in Doubt (London: Routledge, 2016), forthcoming.
“Noise Abatement Zone: John Divola’s Photographic Fulcrum,” in Jordan Bear and Kate Albers, eds., The Before and After Photograph (London: Bloomsbury, 2016), forthcoming.
“Lisette Model’s Explanation: Ralph Steiner, PM, and the Journalistic Frame,” Oxford Art Journal 38.1 (Spring 2015).
Getting the Picture: The Visual Culture of the News, collection co-edited with Vanessa R. Schwartz (London: Bloomsbury, 2015).
“Snap-Shot: After Bullet Hit Gaynor,” and “Introduction,” in Jason E. Hill and Vanessa R. Schwartz, eds., Getting the Picture (London: Bloomsbury, 2015).
“In the Police Wagon, in the Press, and in The Museum of Modern Art (A Note on Weegee’s Frank Pape, Arrested for Homicide, November 10, 1944).” In Mitra Abbaspour, Lee Ann Daffner, and Maria Morris Hambourg, eds. Object:Photo. Modern Photographs: The Thomas Walther Collection 1909–1949. An Online Project of The Museum of Modern Art. New York: The Museum of Modern Art, 2014.
“American Art and Mass Media: Commentaries,” editor, with Elisa Schaar, American Art 27.2 (Summer 2013).
“Training a Sensibility: Notes on American Art and Mass Media,” with Elisa Schaar, American Art 27.2 (Summer 2013), 2-9.
“De l’efficacité de l’artifice: PM, radiophoto et discours journalistique sur l’objectivité photographique (On the Efficacy of Artifice: PM, Radiophoto, and the Journalistic Discourse of Photographic Objectivity), ”Études Photographiques 26 (November 2010), 51-85, published in English and French.
“The Camera and the ‘Physiognomical Auto-da-fé’: Photography, History, and Race in Two Recent Works by Ken Gonzales-Day,” X-TRA 11.3 (Spring 2009), 16-24.