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Alumna Corina Weidinger recently published "Picturing Industrial Landscapes: Ecocriticism in Constantin Meunier's and Maximilien Luce's Paintings of Belgium's Black Country," in Ecocriticism and the Anthropocene in Nineteenth-Century Art and Visual Culture. In her essay, Weidinger explains the artists' emphasis on the visible harm of pollution, which contradicts the western canon of portraying pollution as a symbol of human superiority.
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Alumna Corina Weidinger recently published an essay in "Ecocriticism and the Anthropocene in Nineteenth-Century Art and Visual Culture."
2/28/2020