Upload new images. The image library for this site will open in a new window.
Upload new documents. The document library for this site will open in a new window.
Show web part zones on the page. Web parts can be added to display dynamic content such as calendars or photo galleries.
Choose between different arrangements of page sections. Page layouts can be changed even after content has been added.
Open the Navigation Management window, which can be used to view the full current branch of the menu tree, and edit it.
Move this whole section down, swapping places with the section below it.
Check for and fix problems in the body text. Text pasted in from other sources may contain malformed HTML which the code cleaner will remove.
Accordion feature turned off, click to turn on.
Accordion feature turned on, click to turn off.
Change the way the image is cropped for this page layout.
Cycle through size options for this image or video.
Align the media panel to the right/left in this section.
Open the image pane in this body section. Click in the image pane to select an image from the image library.
Open the video pane in this body section. Click in the video pane to embed a video. Click ? for step-by-step instructions.
Remove the image from the media panel. This does not delete the image from the library.
Remove the video from the media panel.
Graduate students Thomas Busciglio-Ritter and Adam Grimes examine a sculpture during a field trip to Winterthur Museum. (Photograph courtesy of Wendy Bellion)
ARTH601Seminar: Theories and Methods of Art History3 creditsCritical analysis of selected writings influential in art history and architectural history. Designed to help students hone their interpretive skills through close examination of assumptions, core concepts, theories, and objectives that have shaped art historical writings past and present. Historical areas of focus and topics vary.RESTRICTIONS: May be repeated once for credit when topics vary.
ARTH602Seminar: Curatorial Studies3 creditsAspects of curating, both theoretical and practical, including: exhibition design and interpretive goals; public engagement; collection development; working with donors; museum ethics. Topics and time periods vary.RESTRICTIONS: May be repeated once for credit when topics vary.
ARTH605Studies in Greek and Roman Art3 creditsThe art of antiquity from the origins of Greek civilization to the fall of Rome. Recent topics include Roman Architecture; Religion, Religiosity, and Ritual in the Lives of Romans; and Visual Culture in Pompeii.RESTRICTIONS: May be repeated for credit when topics vary.
ARTH606Studies in Medieval Art3 creditsThe art of Europe from the fall of Rome to the late Gothic period. Recent topics include the Court of Charlemagne, Early Irish and Anglo-Saxon Art, and Medieval Ivories.RESTRICTIONS: May be repeated for credit when topics vary.
ARTH610Introduction to Theories of Material Culture Studies3 creditsIntroduces graduate students to the theories and practices of material culture studies. Explores the principles and theories that inform our investigation; they include (but are not limited to) material concepts; social life of things; modes of object analysis; methodologies and their application; objects as word and image; gendered objects; technology and manufactured things; lived and built environments.Cross-listed with ENGL610, EAMC610, and MCST610.
ARTH615Exhibition and Interpretation of Material Culture3 creditsPracticum at Winterthur in exhibiting & interpreting American material culture in a global context, centering on objects selected from Winterthur collections. Topics include: exhibition preparation, installation, programming, fundraising, marketing.Cross-listed with EAMC615 and MSST615.
ARTH616Studies in Italian Baroque Art3 creditsItalian art in the 17th century. Recent topics include Bernini and Roman Baroque Sculpture, Seicento Poetics and Imagery, and Caravaggio.RESTRICTIONS: May be repeated for credit when topics vary.
ARTH617Studies in Northern Baroque Art3 creditsSeventeenth-century art in northern Europe. Recent topics include Vermeer and Dutch Genre Painting, Art and Money, 17th-Century Netherlands, and Prints in the Age of Rembrandt.RESTRICTIONS: May be repeated for credit when topics vary.
ARTH619Studies in Art of the Iberian World, 1400-18003 creditsThe arts of the Iberian Peninsula and the Spanish and Portuguese colonies from 1400 to 1800. Topics vary. Seminars may focus on particular artists, or on broader historical and/or methodological issues dealing with artistic production, reception, and circulation within the Spanish and Portuguese empires.RESTRICTIONS: May be repeated for credit once when topics vary.
ARTH620Seminar in African Art3 creditsTopics vary from pre-Dagaman art (pre-European 'discovery') to twentieth-century painting and contemporary African cinema and may include representations of Africa in Enlightenment art and philosophy, reviews of the literature on the arts of Fulani peoples and its related archive of documentary film.
ARTH621Studies in Nineteenth-Century Art3 creditsHistory and theory of art, 1789-1900.RESTRICTIONS: May be repeated for credit when topics vary.
ARTH622Research Topics in Historic Preservation3 creditsSeminar that addresses a specific research issue within historic preservation, including hypothesis construction, design of research methodology, and evaluation of results. Emphasis on the use of primary sources and application of database techniques.Cross-listed with UAPP636, GEOG636, and HIST636.
ARTH623Studies in Modern Art since 19003 creditsAspects of the history, aesthetics, and theories of Modern Art from 1900 to the present. Topics may include the Avant-Garde, Abstract Art, Art and Politics, High vs. Low Art, and Folk and Outsider Art.RESTRICTIONS: May be repeated for credit three times when topics vary.
ARTH626Studies in Modern Art and Theory3 creditsStudies in Modern Art, exploring diverse themes, media, theoretical, and interdisciplinary perspectives. Possible topics include Art and Nationalism; Classicism and Modernity; Allegory; Regimes of Visuality; Modern Art and Literature; Modern Portraiture; Freud; Psychoanalysis; and Colonialism.
ARTH627Studies in the History of Photography3 creditsAspects of the history and aesthetics of photography. Topics change with each time of offering. Topics may include Photography and Art, Documentary Photography, Photography and Criticism, Photography and Race, and Vernacular Photography.RESTRICTIONS: May be repeated for credit three times when topics vary.
ARTH630Historiography of Material Culture3 creditsLandmark works and recent theoretical approaches to the understanding and interpretation of the man-made environment. Readings draw from a variety of disciplinary frameworks, including art history, anthropology, historical archaeology, cultural geography, sociology, and history.RESTRICTIONS: Requires permission of instructor.Cross-listed with HIST605 and EAMC605.
ARTH635American Art to 19003 creditsSeminar topics change with each offering. Recent topics include Sculpture in the US; Colonial Art across North America; Methods and
Historiography in American Art; Art and Culture in Early Philadelphia:
Peale to Eakins.
RESTRICTIONS: May be repeated for credit when topics vary.
ARTH636Modern American Art3 creditsSeminar in modern and/or contemporary American art, 1900-present. Topics vary by year; recent offerings have included Henry Ossawa Tanner, Norman Lewis, Fashion, and Ecology and Material Agency.RESTRICTIONS: May be repeated for credit when topics vary.RESTRICTIONS: May be repeated for credit when topics vary.
ARTH654Architecture of Everyday Life3 creditsUnderstanding and interpreting everyday buildings and landscapes by seeing the built environment through a physical lens (material, construction, style and plan) and social lens (gender, class, race) and from the perspective of multiple disciplines.Cross-listed with UAPP654, MSST654, and HIST654.
ARTH655Black Bodies on Display: Race in Museums3 creditsThe complex and performative nature of museums vis-a-vis race, remembrance and reconciliation with a focus on Black American and African Diasporic history and culture. What role[s] do objects, history, and culture perform under such curatorial and museum mandates and visions? How do changing socio-political and cultural landscapes and challenges to representational politics shape museum practices? Considered here are black cultural institutions, their formation and foundation as well as exhibition histories of black visual art and culture.Cross-listed with AFRA645 and MALS645.
ARTH656Studies in Contemporary Architecture3 creditsContemporary architecture from around the world. Topics include Contemporary Architecture, Cross-cultural Dialogues, and Transnational Practices. Discover theories of postcolonialism and postmodernism to discuss aesthetic forms and concepts in the most recent architectural design projects.
ARTH663Art Museum Internship3 creditsOn-the-job experience in collections management, administration, education, exhibition and interpretation, or other department at an art museum or other art-related venue, under joint supervision of the Department of Art History and sponsoring institution. Ten full weeks of internship experience are required, as well as the completion of journal of activities and/or final academic project or paper.RESTRICTIONS: Requires approval of the Director of Graduate Studies in the Department of Art History before registering the course. Does not count as a 600-level ARTH seminar and does not fulfill an area/distribution requirement.
ARTH664Curatorial Internship3 creditsCuratorial internship at an art museum or other art-related venue, under joint supervision of the Department of Art History and sponsoring institution. Completion of journal of activities and/or final project or paper.RESTRICTIONS: Requires approval of Director of the Curatorial Track PhD Program before registering for the course. Does not count as a 600-level ARTH seminar and does not fulfill an area/distribution requirement. Open only to students in the CTPhD program.
ARTH685Cultural Theory and Criticism3 creditsTopical introduction to one or more cultural theories, providing a survey of scholarship on such varied topics as semiotics, deconstructionism, feminism, material culture, race, ethnicity studies, postcolonial and global studies, and problems of representation and signification in literary and non-literary texts.RESTRICTIONS: May be repeated once for credit when topics vary.Cross-listed with ENGL685.
ARTH851Seminar in Art Historical Pedagogy3 creditsDiscussion of all aspects of teaching in the field of art history (lectures, discussions, materials, examinations, grading), especially in the context of the teaching of a large introductory survey course.RESTRICTIONS: Open only to teaching assistants in ARTH153 or ARTH154. May be taken for credit only once.
ARTH860Reading and Research1-9 creditsReadings and conferences on an approved subject under faculty direction.RESTRICTIONS: Requires permission of Department Chair. Open to Art History Ph.D. students only.
ARTH869Master's Thesis1-6 credits
ARTH870Master's Paper3 creditsResearch and writing of Master's Paper.
ARTH964Pre-Candidacy Study3-12 creditsResearch and readings in preparation of dissertation topic and/or qualifying examinations for doctoral students before admission to candidacy but after completion of all required course work.RESTRICTIONS: Not open to students who have been admitted to candidacy.
ARTH969Doctoral Dissertation1-12 credits
Move this whole section up, swapping places with the section above it.