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Richmond-Moll on Henry Ossawa Tanner

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A man holding an easel and paintbrushes standing next to a canvas

Photograph of Henry Ossawa Tanner with palette and his painting Judas on an easel, 192- / L. Matthes, photographer. Henry Ossawa Tanner papers, 1860s-1978, bulk 1890-1937. (Image courtesy the Archives of American Art, Smithsonian Institution, www.aaa.si.edu)

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In "Henry Tanner's Judas: The Lost Disciple," an essay recently published in "The Primary Source," the blog of the Archives of American Art, Ph.D. candidate Jeffrey Richmond-Moll shares a discovery made from a photograph printed in reverse. As Richmond-Moll writes, the photograph (now in the ​Tanner papers at the Archives) sheds new light on two Tanner paintings--one thought lost, the other little-understood--and on Tanner's expatriate identity.

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Ph.D. candidate Jeffrey Richmond-Moll recently shared his research in a blog post for the Archives of American Art.
 
11/8/2018
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