Upload new images. The image library for this site will open in a new window.
Upload new documents. The document library for this site will open in a new window.
Show web part zones on the page. Web parts can be added to display dynamic content such as calendars or photo galleries.
Choose between different arrangements of page sections. Page layouts can be changed even after content has been added.
Move this whole section down, swapping places with the section below it.
Check for and fix problems in the body text. Text pasted in from other sources may contain malformed HTML which the code cleaner will remove.
Accordion feature turned off, click to turn on.
Accordion feature turned on, click to turn off.
Change the way the image is cropped for this page layout.
Cycle through size options for this image or video.
Align the media panel to the right/left in this section.
Open the image pane in this body section. Click in the image pane to select an image from the image library.
Open the video pane in this body section. Click in the video pane to embed a video. Click ? for step-by-step instructions.
Remove the image from the media panel. This does not delete the image from the library.
Remove the video from the media panel.
Photo courtesy of Jason Hill.
Professor Jason Hill's essay "An Exact Instant in the History of the Modern" was published in the volume Modern in the Making: MoMA and the Modern Experiment, 1929-1949. His essay considers photographer and curator Edward Steichen's 1949 exhibition, The Exact Instant. The show, the first museum exhibition to position contemporary news photography as a practice with its own rich technological and cultural history, is suggestive of MoMA's commitment to understanding the medium of photography not only as an art form, but also as a complex technology of knowledge.
Move this whole section up, swapping places with the section above it.