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"Indigenous Artists Against the Anthropocene," Art Journal 76:2 (Summer 2017).
"Plural Diplomacies Between Indian Termination and the Cold War: Contemporary American Indian Paintings in the 'Near East', 1964–1966," Journal of Curatorial Studies, special issue, The Art of Cultural Diplomacy (Spring 2017).
"Jimmie Durham's Stones and Bones," in Jimmie Durham: At the Center of the World, ed. Anne Ellegood (The Hammer Museum & DelMonico Books/Prestel, 2017): 78-85.
"Ojibwa Tableaux Vivants: George Catlin, Robert Houle, and Transcultural Materialism," Art History 39:1 (Feb. 2016): 124-151.
"A 'Cloudburst' in Venice: Fred Kabotie and the U.S. Pavilion of 1932," American Art, 29:1 (March 2015): 54–81.
"Art History's Tangled Legs," in Kay WalkingStick: An American Artist, ed. Kathleen Ash-Milby (Smithsonian Institution National Museum of the American Indian, 2015), 145-148.
"Painter/Traveler/Diplomat," in Fritz Scholder: Super Indian, 1967–1980, John Lukavic, Jessica Horton, and Eric Berkemeyer (Denver Art Museum & Prestel, 2015), 41–53.
(and Janet Catherine Berlo), "Pueblo Painting in 1932: Folding Narratives of Native Art into American Art History," in The Companion to American Art History, eds. Jennifer Greenhill, John Davis, and Jason LaFountain (Wiley-Blackwell, 2015), 264-280.
(and Cherise Smith), "The Particulars of Postidentity," eds. Jessica L. Horton and Cherise Smith, American Art, 28:1 (Spring 2014): 2–8.
"Study it Lightly," Parkett No. 92: Jimmie Durham, Helen Marten, Pauline Olawska, Damián Ortega (June 2013): 48–58.
(and Janet Berlo), "Beyond the Mirror: Indigenous Ecologies and 'New Materialisms' in Contemporary Art," Third Text, special issue, Contemporary Art and the Politics of Ecology, ed. T. J. Demos, 27:1 (January 2013): 17–28.
"Of Mimicry and Drag: Homi Bhabha and Kent Monkman," in Theorizing Visual Studies: Writing Through the Discipline (Routledge, 2013), 169–191.
"Alone on the Snow, Alone on the Beach: 'A Global Sense of Place' in Atanarjuat and Fountain," Journal for Transnational American Studies, special forum, Charting Transnational Native American Studies, eds. Philip J. Deloria, et al., 4:1 (June 2012): 1–25.
"A Shore Without a Horizon: Locating as Looking Anew," Shapeshifting: Transformations in Native American Art (Peabody Essex Museum & Yale University Press, 2012), 50–63.
"Textured Stories: Three California Baskets," American Indian Art from the Thaw Collection (Fenimore Art Museum, 2010), 102–109.