The Power of Objects in Eighteenth-Century British America. Chapel Hill: University of North Carolina Press for the Omohundro Institute of Early American History and Culture, 2017.
Finalist, 2018 George Washington Prize
Honorable Mention, 2018 Louis Gottschalk Prize, American Society for Eighteenth Century Studies
Recipient of a College Art Association Wyeth Foundation for American Art Publication Grant
“‘The Dark Iconoclast’: Slaves’ Artistic Resistance in the Civil War
South,” The Art Bulletin 99:4
(December 2017): 129-63.
“Prince Demah and the Profession of Portrait Painting,” Beyond the Face: New Perspectives on
Portraiture, National Portrait Gallery volume (anticipated fall 2018).
“‘Painting’ Faces and ‘Dressing’ Tables: Concealment in Early Southern
Dressing Furniture,” Faces and Places: The Life of Things in Early America.
Ed., George Boudreau and Margaretta Lovell. University Park, PA: Penn State
Press, (anticipated fall 2018).
"Regional Tastes in a Transatlantic Market: Joseph Blackburn in New
England and Bermuda," New
England/New Spain: Portraiture in the Colonial Americas, 1492-1850.
Ed., Donna Pierce. Norman, OK: University of Oklahoma Press for the Mayer
Center for Pre-Columbian and Spanish Colonial Art at the Denver
Art Museum, 2016.
“George Washington’s Dentures: Disability, Deception, and the Republican
Body,” Early American Studies 14:1
(Winter 2016): 2-47.
“The Mask of Civility: Portraits of Colonial Women and the Transatlantic
Masquerade,” American Art 23: 3 (Fall 2009): 8-35.
and the Middling Sort,” Winterthur
Portfolio: A Journal of American Material Culture 40:4 (Winter 2005): 219-48.